{"title":"All Products","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"london-underground","title":"Studio52 Presents: London Underground","description":"\u003cdiv style=\"text-align:left; width:70%; margin-left:auto; margin-right:auto;\"\u003e\n\u003ch5\u003e\u003cstrong\u003eFrom Luke Oseland\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eLit Vanish\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eThe one that took social media by storm, the Lit Vanish is the slow motion, upwards vanish of a lit candle, where the flame hovers in mid-air before melting into nothing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBandersnatch\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA highly visual, instant penetration of a rubber band through the fingers of a closed fist. Also includes colour changing rubber bands.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePortal\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eThe visual - and audible - penetration of a signed coin into a borrowed can.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCard to Condom\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003e…or pack of Skittles. At the fingertips handling using a little-used concept that visually changes one for the other.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCoffee Cup Counterbalance\u003c\/strong\u003e\u003cbr\u003e\n  \u003cspan\u003eA number of presentations concerning the tensegrity principle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSweet Disposition\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eThe reformation of a sugar cube from a sugar packet, performed at the fingertips. Luke teaches a number of effects possible with this technique, including Sugar through Table and 3 Fly with Sugar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBonus\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eHow Luke Creates. In a lightning-fast 30 second blitz, Luke demonstrates where his mind goes when creating, his process and the tricks he uses to come up with… uh, tricks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eFrom Christian Grace\u003c\/strong\u003e\u003c\/h5\u003e\n  \u003cp\u003e\u003cstrong\u003eThe Knowing Principle\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA combination of techniques that \u003cem\u003ewill absolutely\u003c\/em\u003e change the way you perform tricks already in your repertoire. Psychological nuances, ingenious handlings, cunning mechanics and a devious approach combine to allow two freely chosen cards from a shuffled deck to be extracted from the minds of spectators.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Bet\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eWith one of the most startling kickers we’ve seen in a long time, this display of card tracking does the impossible - four random face-up cards change into the selection and its mates - a card that had been cut repeatedly into the deck. We would have happily paid the price of admission if this was the only delight Grace brought to the table.\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eYours is the Word\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eOne of Christian’s favourite pieces - and the actual trick he performed for his Magic Circle exam that almost got him thrown out of the room. In a stunning role reversal, a spectator divines the word previously written on a folded card that’s been in view the whole time. A truly devious marvel. \u003c\/span\u003e\u003c\/p\u003e\n  \u003cp\u003e \u003c\/p\u003e\n  \u003ch5\u003e\u003cstrong\u003eFrom Jack Tighe\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eSeveral Second Wonder\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eAn Ace Cutting procedure taking inspiration from Gary Oullet and Father Cyprian, which allows the placement of the aces in a shuffled deck to be memorised and immediately cut into packets. Featuring Jack’s handling of a lift shuffle and discrepant turnover that does without the hassle of  the zarrows, injogs and slipcuts usually found in these types of routines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - Broken Spread Force\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA technique that attempts to improve on a Marlo handling, providing more utility to its use - allowing a selection with an incongruent back to be forced unseen during a natural display of the cards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - Broken Spread Control\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA method to create a key card on the fly in the process of having a selection freely chosen, allowing you to dribble, spread, square and instantly control the chosen card without any breaks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGood Will Hunting\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eIf Irving Quant’s ‘Carousel’ can be described as having ‘almost no sleight of hand’, Jack’s take on the 4 card transposition honouring that effect can be said to occur ‘essentially without hands’. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo Jokers\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eJack plays around with Emotional Reaction to create an absolute magician fooler from a borrowed and shuffled deck. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnpublished Aces\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eAn ace cutting routine where packets are thrown to the table in a revolution of the hands, cutting to each ace in turn. This is one of those effects that really has to be seen - because if Jack couldn’t describe it enough to put in a book - we’ve got no chance of doing it here.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - Do Nothing Key\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA technique to control a spectator peeked card during a shuffle, making it easy to retrieve at any point. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - Stripped Bottom Stock Control\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA deceptive method for controlling the bottom stock of cards during a strip shuffle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNow You Don’t\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eJack updates ‘Now you See it’ from Royal Road - and in doing so teaches a very natural looking glimpse and sets you up for a surprisingly subtle equivoque… or not-so-subtle slap revelation - revealing the selection - where moments before there were clearly only random cards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - Gesture Spread Control\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eJack presents his work on a hidden gem of Jean Hugard's, turning an easy control to the bottom into a peek, a setup for a key and a shuffle control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTechnique\u003c\/em\u003e - The Safety Shuffle\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eJack’s improvement on Dan Garrett’s improvement on G. W Hunter’s improvement on John T. Halloran’s false shuffle from 1910. There’s probably more credits we could list here, but really, 4 levels of inception is enough. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSteven Bridges\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eMagician and professional Black Jack player Steven Bridges sits down (stands up) with Ben Earl to discuss the relationship between card gambling and magic, how he keeps getting thrown out of US casinos thanks to the doppelganger effect, and what happens when you gamble with hundreds of thousands of pounds of someone elses money. During the discussion, Steven teaches his method of basic card counting of a 6 deck shoe with multiple Blackjack hands on the table - just as he would when sitting at a casino. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eBen Earl\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eKeychain\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eIf you take nothing else from this whole video series, you’ll still feel you got the better side of the deal with this gem alone. As impossible as the impossible card location gets. An absolute magician fooler where they shuffle, they cut, they peek a card - and they shuffle again til their heart’s content. Yet you still pull their chosen card out of the deck. There’s nowhere to hide in this convention backroom favourite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Stop Trick\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA delectable piece of theatre wrapped in a mental guise, a question of causality. Does a reaction that follows an action occur because of that action? It’s The Matrix’s ‘Don’t worry about the vase’ - with a sharpie and a deck of cards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFalse Belief\u003c\/strong\u003e\u003cbr\u003e\n\u003cspan\u003eA four card production of a different sort, where a spectator attempts each production themselves - to be shown that it’s the performer’s superstition alone that allows him to triumph.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eGroup Jam\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003ePull a seat up at the card table as Luke, Christian, Jack, Stephen and Ben talk and jam freely for over 80 minutes. 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